![]() If you're looking for a more succinct explanation see Pamela Berry's video tip. Also quite good are books from Steve Hullfish: Color Correction for Video (older but practical) and The Art and Technique of Digital Color Correction(practical plus drawing from top colorists).Īndrew Devis explains using the the White Balance control chip in the Fast Color Corrector in Premiere Pro CS6 Techniques: 51 Color FIVE: Color Cast (Fast Color Corrector does dynamic link to AE, but without the pretty UI). Peachpit Press has a sample chapter on Primary Color Adjustments, if you want a peek. ![]() You can find comprehensive authoritative information on color correction from Alexis Van Hurkman in his Color Correction Handbook: Professional Techniques for Video and Cinema. ![]() There's much more on color correction in general in Premiere Pro Help.įor all things color, see the Tao of Color Grading newletter for regular news on color correction and grading. In color correction, tonal correction generally comes first: black levels first, then white levels. If the Divide mode solid method isn't for you, it may or may not take only a few more clicks with the more established methods offered by Adobe. There isn't a one-click solution for white balance by Adobe, but a simple tool had been offered by Francois Tarlier, ft-Auto White Balance, which wasn't upgraded past CS6. You can dig deeper on the newer modes with Ben Rollason ( AE scripts), who showed how to emulate these modes before they appeared in After Effects in Subtract and Divide Blending Modes in AE CS4. There's older similar pieces on PVC, Blend Modes in Adobe Premiere Pro and CMG Hidden Gems: Chapter 9 – Blending Modes, but the movies on modes really do explain the composite modes and blending mode groups well. The same class has more great explanations of using solids and gradients for tinting, as well as a Modes explained module. You can find details of the relatively obscure Divide mode method in Free Video: Quick & Easy White Balance Adjustment, which is from the class Premiere Pro and After Effects: Enhancing Production Value with Chris Meyer. Eran Stern also recently added a method, using CC Color Neutralizer in Premiere. There are a number of ways to white balance footage in After Effects and Premiere Pro, and Chris and Trish Meyer recently added another method, sampling with the Tint effect on a Solid layer set to Divide mode above the source layer.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |